超级网站整站下载器 40.8-wps官网下载-The De Luxx of the Golden Hall A Tale of Liao Zhi, Sun Tianyi, and the Golden Room

In the heart of Korea's bustling capital city, there lies a place that combines tradition with modern flair—De Luxx, the golden hall in Gwangjang. Once the residence of King Eilam (1469–1494), De Luxx was also the hallmark of a royal estate, though over time it evolved into a beacon of cultural innovation under King Sun Tianyi (1575–1641). The building, once known as景云宫 (Yong Guan Dui), became both a symbol of grandeur and a place of profound reflection. Yet, beneath its golden facade, lies the story of Eilam's family, Sun Tianyi's reign, and perhaps some more obscure cultural secrets.

The History of Eilam and De Luxx

Eilam was a man of grandiose ideals—princident, ambitious, and above all things, a ruler. His son, Sun Tianyi (1575–1641), expanded his empire far beyond what he could have imagined at the time. He became not only an effective emperor but also a cultural icon, his reign often marked by the grandeur of De Luxx.

De Luxx was initially built for Eilam's son—景云宫 (Yong Guan Dui). However, after Sun Tianyi assumed the throne, the building underwent remarkable transformation. Under his rule, De Luxx not only expanded its architectural capabilities but also began to take on the appearance of a royal house—an obvious sign that it was no longer景云宫.

By 1642, when King Sejong (the founder of the Korean War) came to power, De Luxx had become景云宫. Its name had changed from景云宫 (Yong Guan Dui) to De Luxx after a royal decree was issued in 1703. This decree, written in the royal language, not only renamed the building but also made it a symbol of kings’ palaces—it became known as the景云宫, or simply景云.

The Building's Reflections

The structure of De Luxx is an enigma—smaller than it appears, its grandeur is hard to describe. Its height is only about 20 meters, yet the room itself feels massive on a human scale. Yet within this grand space, the building reveals a world of intricate details.

At the heart of De Luxx lies the libreofficewps, or freely movable office, where kings and emperors resided. This is where the story of Sun Tianyi began—she was not only an emperor but also a cultural genius. She designed buildings with mathematical precision, creating not just functional spaces but spaces imbued with spiritual and artistic depth.

The building itself features 洋式建筑—both traditional Korean woodwork and modern西洋-style architecture. This fusion is a testament to Korea's rich tradition of combining East and West in the 16th and 17th centuries. However, it also serves as a reminder that even in an era where Korea seemed to embrace Western influences, its core remains was Korean.

The Legacy of Eilam and De Luxx

After King Sejong’s victory at the Battle of Gaeyang, De Luxx began to lose some of its original grandeur. This is when the story of Sun Tianyi continues—a story filled with tales from both his son and father. His son was a ruler who became a cultural phenomenon—景云宫 became known not just for its architectural prowess but also for its role in spreading Korean culture.

The building, however, never stopped reflecting on the lives of kings and emperors—whether it was the libreofficewps or the洋-style buildings that made up De Luxx. It is a place where kings and emperors resided not just in an office but in a world of art, music, literature, and philosophy.

Conclusion

De Luxx stands as a symbol of Korea’s rich history and cultural heritage—both its grandeur and its hidden wisdom. It is the epitome of what a king could’ve built if he had been a man of vision. And just like De Luxx, today’s kings and emperors are faced with a challenge that has no bounds—it is time to use their vision to create something new—something free.

The golden hall isn’t just a building; it’s a place where kings and emperors resided not in an office but in a world of art and wisdom. And as we remember the kings who built De Luxx, let us also remember those whose hearts are in that golden room.